| Tim Hawkinson at the ASU Nelson Gallery |
| Written by Ken Hamel | |
| Wednesday, 23 January 2008 | |
Tim Hawkinson and Carl AndreArizona State University Nelson Fine Arts CenterJanuary 26 to April 27, 2008I was introduced to the sculpture of artist Tim Hawkinson at a Whitney Museum show highlighting 2 decades of his work, and I was mightily impressed with his twisted vision, from his massive, pulsing, kinetic pieces that mimic living organisms, to his music boxes made of rusted nails and old silverware, to his miniature clocks constructed of hair and other unexpected materials. I caught 2 of his works at the Colorado Springs Fine Arts Center as part of their excellent "Eclectic Eye" show last year, and wanted to pass along a press release for an upcoming show of his in Phoenix at the Arizona State University's Nelson Fine Arts Center . With some luck I'll be able to stop by in February and get some pix (security guards willing...), but here's a pic from one of his pieces I caught while in Philly last year at the University of Pennsylvania's Institute for Contemporary Art (below). - KLH Tim Hawkinson "Music Box - Time in a Bottle" 1994 - Photo by Ken Hamel/DenverArts.org TEMPE, AZ.- Arizona State University Art Museum presents Carl Andre / Tim Hawkinson, on view January 26 through April 27, 2008. This exhibition compares work by two of the most important contemporary American sculptors – Carl Andre and Tim Hawkinson. Both artists are actively working today but they are a generation apart. Carl Andre was beginning his career when Tim Hawkinson was born. Andre was one of the founders of the minimalist movement in American art in the 1960s; Tim Hawkinson studied the minimalists at university. While the differences between their sculptural styles and philosophies are stark, there are fascinating similarities as well. Carl Andre, represented in the exhibition by the monumental Glarus Steel Slant, made his first metal plate floor piece in 1967 and invited viewers to walk on it. Along with other minimalist artists, including Donald Judd and Robert Morris, Andre championed a style that was characterized by multiple units making up a larger whole, industrial materials, and de-emphasizing personal and emotional content. His floor pieces revolutionized the way that viewers interacted with sculpture in a museum or gallery setting, adding a physical, tangible experience. Minimalism would dominate much of American sculpture through the 1970s. Tim Hawkinson was born in 1960 and his idiosyncratic and inventive work cannot be linked to a distinct movement. He prefers representational forms, like the human body, and recognizable materials, like string and plastic detergent bottles. Illustrated by the three works in the exhibition, his work ranges in scale from miniatures to warehouse-sized installations. Hawkinson’s favorite subject is the human body, explored from the inside out. He has created huge internal organs out of balloons or tiny works cast from his body or literally made from his body with his fingernail parings and hair. His work has a distinctive handmade quality due to his unusual materials and his willingness to learn and use whatever process is necessary for his idea. Unlike Andre, Hawkinson patently explores the individual’s place, his own place, in the universe. This exhibition is an opportunity to explore two poles of contemporary American sculpture, and in the process consider larger societal influences and art movements. ASU Art Museum Presentation - Organized by Heather Lineberry, CARL ANDRE / TIM HAWKINSON will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. This exhibition was supported in part by the Ovitz Family Collection and PaceWildenstein Gallery, New York. |
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