Home News Regional News In Review: Marilyn Monroe at the CSFAC
In Review: Marilyn Monroe at the CSFAC
Regional News
Posted: July 02, 2008
oelklaus.marilyn.jpg
Heather Oelklaus 2008 Relief Portrait of Marilyn Monroe in Prescription Pill Bottles

I have to say my interest was not initially piqued when i saw notice of the "Life as Legend: Marilyn Monroe" exhibit at the Colorado Springs Fine Arts Center, but I made the trek down based on: 1) the strength of the last few shows I've seen there, 2) the joy I always get while catching up with the FAC's notable permanent collection now housed in their wonderful new addition, and 3) the opportunity to take in a beautiful summer's day on the back roads down to the Springs on my motorcycle.

And while my overall impression wasn't as strong as it was for the truly incredible "Eclectic Eye" exhibit back in 07, "Life as Legend" is certainly worth the trip down, if not for the actual works on display then for the meditation on the question of what is this thing called Marilyn and why does it inspire artists' creations ranging from honestly innovative to commercial kitsch?

"Life as Legend" is billed as featuring "nearly 300 works of art inspired by the Hollywood Icon" and yes, there is Marilyn as far as the eye can see. I did find myself a bit bored with many of the cliche takes on the actress (to me Robert Indiana's portraits were exceptionally contrived, and the famous Warhol prints are so iconic as to be tiring) yet there are many surprises that elevate "Life as Legend" beyond the baseline hagiography I anticipated. Some of the stronger works include:
  • Heather Oelklaus witty relief portrait of the artist using prescription pill bottles (pictured above)
  • Eduardo Paolozzi's understated collage featuring all things 1960s modern, incorporating Marilyn subtly into the overall work
  • Italian artist Mimmo Rotella's signature torn movie poster collage "Marilyn II" from 1979
  • George Pusenkoff's 2002 "Marilyn: Last Portrait" which takes a computer screenshot of the LA coroner's autopsy report and enlarges it as a massive red and white silkscreen
I certainly wasn't expecting to see a Christo piece but sure enough the conceptual artist known for wrapping Berlin's Reichstag in fabric found a way to wrap covergirl Marilyn with twine and lipstick-red cloth. For me the strongest work was that of Corinna Holthusen whose untitled triptych contrasts 2 large "glamour" Marilyn-esque photographs with a digitally manipulated portrait of what appears to be Marilyn morphed into a showroom dummy complete with plastic hair waiting to be made up and put on display. The effect is creepy: a clever commentary on Hollywood's generic and artificial mass production of beauty. Quite honestly it was worth the trip just to see Holthusen's work. [Check out her website at http://www.corinnaholthusen.de.]

For the historically motivated Monroe fan, the show serves up a who's who of the many glamour photographers that documented the actress' life including Richard Avedon, Sam Shaw, Ernst Hass, Tom Kelley's famous nudes that no doubt brought a generation of young men to climax, Bert Stern's Vogue magazine portraits, Milton Greene's work for Look magazine and several others. Also on the photography front, Christopher Makos 1982 portraits of Andy Warhol dressed as Marilyn are displayed alongside Warhol's seminal Monroe silkscreens.

The show is open through July 6th, so if you can handle the MM overload and can quickly maneuver through the dross, there are some gems that make the trip down worthwhile. - KLH


 
August 2010 September 2010 October 2010
Mo Tu We Th Fr Sa Su
1 2 3 4 5
6 7 8 9 10 11 12
13 14 15 16 17 18 19
20 21 22 23 24 25 26
27 28 29 30