| Louise Bourgeois Retrospective at the LA MoCA |
| Written by Ken Hamel | |
| Sunday, 16 November 2008 | |
Louise BourgeoisMuseum of Contemporary Art, Los AngelesOctober 26, 2008 - January 25, 2009 Louise Bourgeois in 1990 with her 1970 marble sculpture, Eye to Eye - Photo by Raimon Ramis If your travels take you westward to LA, do not miss the opportunity to take in this major retrospective spanning the career of artist Louise Bourgeios at the Museum of Contemporary Art, Los Angeles (Grand St. location). Bourgeios, at age 96 continues to work daily, and the LA exhbit (which is part of a 3 city US tour including the Guggenheim in NYC and the Hirshhorn in DC) will include at least one of her recent works in addition to some LA based works that will not be making their way back east and will only be shown as part of the MoCA exhibit. Of note for Denver locals, the Michele Mosko Gallery on 12th Avenue by the Denver Art Museum actually has some of Bourgeios recent prints which combine elements of sculpture with silkscreen, and her work can also be seen as part of the DAM's permanent collection. - KLH (from the press release:) LOS ANGELES.- The Museum of Contemporary Art, Los Angeles (MOCA), presents the first major travelling survey of the work of pioneering artist Louise Bourgeois (b. 1911) in more than two decades. Louise Bourgeois is organized by Tate Modern in collaboration with the Centre Pompidou and curated by Frances Morris, head of collections, Tate Modern; Marie-Laure Bernadac, chief curator of contemporary art, Louvre; and Jonas Storsve, curator, Musée national d’art moderne, Cabinet d’art graphique, Centre Pompidou. The Museum of Contemporary Art, Los Angeles, is the fourth venue of an ambitious international tour that includes Tate Modern, London; Centre Pompidou, Paris; Solomon R. Guggenheim Museum, New York; and Hirshhorn Museum and Sculpture Garden, Washington, D.C. MOCA’s presentation, which is organized by MOCA Curator of Architecture and Design Brooke Hodge, includes a number of significant works from Los Angeles collections that will not be seen elsewhere. Also exclusive to the three U.S. presentations will be at least one new work completed in the last few months by Bourgeois, who at 96 continues to make art almost daily. Louise Bourgeois is on view at MOCA Grand Avenue from October 26, 2008 through January 25, 2009. “I am honored and thrilled to present this landmark showcase of Louise Bourgeois’s work at MOCA,” said MOCA Director and Bourgeois scholar Jeremy Strick. “Louise is an important artist who has created an enormous body of work that engages with most of the major international avant-garde artistic movements of the 20th century—from surrealism and primitivism to conceptual art and assemblage. And yet, she has always maintained her identity as an independent artist, positioned at the forefront of contemporary art practice, giving great inspiration to many others.” Louise Bourgeois’s long and distinguished career has engaged both modern and traditional techniques, exploring various themes in a range of styles, from abstraction to the ready-made. With over 150 works dating between 1938 and 2008, the exhibition includes the artist’s earliest paintings and works on paper; sculptures made in a variety of materials, including wood, steel, plaster, latex, marble, and bronze; large-scale installations from the 1980s and ’90s; a broad selection of drawings and prints from throughout her career; small-scale hand-made objects; and her most recent works, which utilize fabric. This unique, must-see presentation also reunites many of Bourgeois’s most well-known pieces, including The Blind Leading the Blind (1947–49), Fillette (Sweeter Version) (1968–99), and a number of her powerful Cell installations, such as Cell (Choisy) (1990–93), Cell (You’d Better Grow Up) (1993), Red Room (Child) (1994), Red Room (Parents) (1994), and Spider (1997). Louise Bourgeois is an opportunity to discover the artist’s most important works and explore the core themes that unite them across media. Bourgeois has said that her childhood, which was rich with both craft and symbolism, is the source all of her artwork and its themes. Born to a family of weavers, Bourgeois spent her early years surrounded by fabrics and textiles, as she played an active role in her family’s business of repairing and restoring tapestries. Sewing needles signified restoration for Bourgeois, as she witnessed her mother’s constant efforts at conservation and repair; hence, a number of the artist’s large-scale sculptures take the form of needles, evoking both the psychological and physical symbolism of the device and its magic power. The spider, itself a weaver and repairer, is another highly charged figure that appears frequently in Bourgeois’s work. Other themes favored by Bourgeois include maternity, the couple, childhood, the body, sexuality, gender, and autobiography. Born in Paris in 1911, Louise Bourgeois studied under a variety of artists during the 1930s, including the cubist painter and sculptor Fernand Léger. In 1938, she moved to New York, where she continues to live and work to this day. Bourgeois’s 1982 solo exhibition at The Museum of Modern Art in New York was the museum’s first-ever retrospective of a female artist. Bourgeois has exhibited in numerous museums and galleries worldwide, and her work is in major public and private collections throughout the world.
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